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Théodore Géricault

Théodore Géricault

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Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai (Japanese 1760 - 1849)
Date: 1830-32

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (Japanese 1760 - 1849)

Date: 1830-32

3 notes

oil on canvas : François Bard
200x90cm, , 2004

oil on canvas : François Bard

200x90cm, , 2004

(Source: francoisbard.fr)

4 notes

painting : Norbert Bisky
Liar, 2010

painting : Norbert Bisky

Liar, 2010

1 note

(Source: andren, via inzoeeyes)

20 notes

painting : Egon Schiele

painting : Egon Schiele

(Source: 2-crowes, via somestrangersstomach)

321 notes

painting : Peter Doig

painting : Peter Doig

0 notes

artist : Lamb, JoannaHigh Rise 7, 2009
acrylic on canvas, 170 x 120cm
There’s something quite ominoius and unsettling about Joanna Lamb’s latest collection of paintings. Moving away from her usual works of suburban and urban exteriors, the artist opens the door to focus on interiors. The scenes are taken from the pages of real estate brochures, recreated in blocks of colour, somehow creating an all-too-familiar, yet eerily 2-dimensional interior landscape. Each scene is captured in 2 mirrored works, with changes in colour evoking different emotional responses.
“These paintings acknowledge the power of mechanical reproduction which is reinterred in everything from Lamb’s systematic mediated process to her carefully constructed compositions.”
The mirrored pairs can be interpreted by the eye as completely different scenes, but each seems devoid of life; a sad, cold, inanimate space, too perfect to be inhabited.
all paintings..

artist : Lamb, Joanna
High Rise 7, 2009

acrylic on canvas, 170 x 120cm

There’s something quite ominoius and unsettling about Joanna Lamb’s latest collection of paintings. Moving away from her usual works of suburban and urban exteriors, the artist opens the door to focus on interiors. The scenes are taken from the pages of real estate brochures, recreated in blocks of colour, somehow creating an all-too-familiar, yet eerily 2-dimensional interior landscape. Each scene is captured in 2 mirrored works, with changes in colour evoking different emotional responses.

“These paintings acknowledge the power of mechanical reproduction which is reinterred in everything from Lamb’s systematic mediated process to her carefully constructed compositions.”

The mirrored pairs can be interpreted by the eye as completely different scenes, but each seems devoid of life; a sad, cold, inanimate space, too perfect to be inhabited.

all paintings..

1 note

painting : Sean Scully
Desert Night, Wall of Light, 1999
 oil on canvas, 108 x 132 inches

painting : Sean Scully

Desert Night, Wall of Light, 1999

oil on canvas, 108 x 132 inches

7 notes

artist : Maja Ruznic
Self Portrait as The Emotional Trash Can, 2011
mixed media on paper, 10 x 10 in.

artist : Maja Ruznic

Self Portrait as The Emotional Trash Can, 2011

mixed media on paper, 10 x 10 in.

0 notes

painter : Pieter Dirkx
Shining, 90 x 90cmAcrylic and gold on silver canvas

painter : Pieter Dirkx

Shining, 90 x 90cm
Acrylic and gold on silver canvas

1 note

artist : Lindeman, MichaelContemporary art 2011
acrylic on canvas, 59 x 168 cm
Lindeman’s paintings, sculptures and readymades respond to global consumerism, planned obsolescence and a fabricated popular culture of indulgence. Residencies at the Los Angeles Studio (2001) and the School of Visual Arts, New York (2002) focused Lindeman’s attention on the ubiquity of discarded objects and a moral order dominated by plasticised cartoon characters that promote childish notions of good and evil. His approach combines serious intent with ironic playfulness.
more…

artist : Lindeman, Michael
Contemporary art 2011

acrylic on canvas, 59 x 168 cm

Lindeman’s paintings, sculptures and readymades respond to global consumerism, planned obsolescence and a fabricated popular culture of indulgence. Residencies at the Los Angeles Studio (2001) and the School of Visual Arts, New York (2002) focused Lindeman’s attention on the ubiquity of discarded objects and a moral order dominated by plasticised cartoon characters that promote childish notions of good and evil. His approach combines serious intent with ironic playfulness.

more…

0 notes


word painting by Wayne White
“My mission is to bring humour into fine art”
_______________________________________
Beauty is Embarrassing : The Wayne White Story
directed by Neil Berkeley
Interview

word painting by Wayne White

“My mission is to bring humour into fine art”

_______________________________________

Beauty is Embarrassing : The Wayne White Story

directed by Neil Berkeley

Interview

3 notes

masterpiecedaily:

Jacopo Pontormo
Portrait of a Young Man in a Red Cap
1529

masterpiecedaily:

Jacopo Pontormo

Portrait of a Young Man in a Red Cap

1529

(via andgatherer)

9 notes

painting : Sorolla
Paseo a Orillas Del Mar, 1909

painting : Sorolla

Paseo a Orillas Del Mar, 1909

1 note