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Jose Guadalupe Posada
Calavera Revolucionaria, Day of the Dead

Jose Guadalupe Posada

Calavera Revolucionaria, Day of the Dead

2 notes

(via andren)

97 notes


more : anna hepler

more : anna hepler

4 notes

painting : Michael Latimer

painting : Michael Latimer

32 notes

Jasper Johns (American, born 1930)
Flag, 1954
Encaustic,  oil, and collage on fabric mounted on plywood, three panels, 42 1/4 x 60  5/8” (107.3 x 153.8 cm)
“One night I dreamed that I painted a large American flag,” Johns has  said of this work, “and the next morning I got up and I went out and  bought the materials to begin it.” Those materials included three  canvases that he mounted on plywood, strips of newspaper, and encaustic  paint—a mixture of pigment and molten wax that has formed a surface of  lumps and smears. The newspaper scraps visible beneath the stripes and  forty-eight stars lend this icon historical specificity. The American  flag is something “the mind already knows,” Johns has said, but its  execution complicates the representation and invites close inspection. A  critic of the time encapsulated this painting’s ambivalence, asking,  “Is this a flag or a painting?”

Jasper Johns (American, born 1930)

Flag, 1954

Encaustic, oil, and collage on fabric mounted on plywood, three panels, 42 1/4 x 60 5/8” (107.3 x 153.8 cm)

“One night I dreamed that I painted a large American flag,” Johns has said of this work, “and the next morning I got up and I went out and bought the materials to begin it.” Those materials included three canvases that he mounted on plywood, strips of newspaper, and encaustic paint—a mixture of pigment and molten wax that has formed a surface of lumps and smears. The newspaper scraps visible beneath the stripes and forty-eight stars lend this icon historical specificity. The American flag is something “the mind already knows,” Johns has said, but its execution complicates the representation and invites close inspection. A critic of the time encapsulated this painting’s ambivalence, asking, “Is this a flag or a painting?”

1 note



design : Hesse design

design : Hesse design

0 notes

design : FLAG

design : FLAG

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design : Shin Dokho

design : Shin Dokho

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design : Rob Van Hoesel

design : Rob Van Hoesel

1 note

design : Rob Van Hoesel

design : Rob Van Hoesel

4 notes

design : Rob Van Hoesel

design : Rob Van Hoesel

2 notes

(Source: shsh, via hier4rchy)

31 notes

Charles Sheeler (American, 1883-1965)
Industrial Architecture, 1949
Tempera on board, 17 1/2 x 14” (44.5 x 35.7 cm)

Charles Sheeler (American, 1883-1965)

Industrial Architecture, 1949

Tempera on board, 17 1/2 x 14” (44.5 x 35.7 cm)

2 notes

self service magazine

self service magazine

2 notes

painting : Sandro Kopp
Mark Stafford, Mortal Data

painting : Sandro Kopp

Mark Stafford, Mortal Data

1 note